high pitch
We found the term high pitch in 18 articles.
Immune @ Brudenell Social Club
After a short summer hiatus the Engine Room's cogs and pistons pumping again. As it splutters into action it's headliners Immune who emerge from the stifling smoke (machine) and jerk into industrial action.
As the stereo gobbles up its latest shiny donut of musical nourishment, I have to stop it mid-bite to check I've put the right CD in - the resemblance of Protein Shake's opening riff to the chorus of 'Fire' by the Jimi Hendrix Experience is uncanny.
King Creosote: Home in a Sentence
Upon uploading this CD to my iTunes library I was bemused to see the track entitled as 'The Track of My Tears' by 'Jimmie's Chicken Shack'.
I have never quite understood why I like Imogen Heap: her unconventional vocals on such tunes as this; plus some slick beats laid down over a mixed backing track of violins and bass lines.
This is a very smart live recording. It's raw, punchy and pretty effective. Sawthroat don't do complicated stuff.
Armstrong: Re:Invent the scene
With a veritable army of fans in tow at every turn, and the whispers surrounding their live performances starting to gain volume, I was a little giddy and had very high hopes for this single.
Putting Air Traffic as the second band on the line-up is extremely misleading. The implication given to the unsuspecting audience is that their performance will be equal to that of a slapdash support slot; anyone expecting this kind of set is about to be proved wrong in the most spectacular fashion.
Two support bands. Why? Why oh fucking why? Maybe I need clarification, but I thought the whole point of a support band was to warm up the crowd for the main event, not take away all the time from them?
As those of you out there who are musical types will know, the wonderful world of MySpace allows you the excellent facility to advertise your wares via the listing of "upcoming gigs", marvellous!
Proof if there ever was that this is the best advice I can give to anyone who loves music. WATCH THE SUPPORT BAND.
The Vine seems to have a cross section of every genre of rock 'n roll tonight, as we move through pseudo funk, light indie, Maiden-esque metal and then finally some anthemic indie stompers.
With the 'forgotton' album scheduled for release soon, its about time that this interview found its way into press...
Graham Jones - Bass Mark Priestly - Guitar Bruce Renshaw - Drums (dep) Ruth Coffey - Congas Caroline Standen - Flute/Alto Saxophone Alison Sheldon - Clarinet Paul Lee - Soprano/Tenor Saxophones Christine Smith - Tenor Saxophone Richard Scott - Baritone Saxophone Helen Mills - Trumpet Jem Dobbs - Trumpet Steve Etheridge - Trombone Rich Warrington - Trombone Throwing a party?
Pulled Apart by Horses @ Faversham
It has seriously taken me a few days to piece together this review. I've been finding it a strain on my creative juice-box to summon the correct words to emphasise the compelling amount of joy received from this gleefully amazing line-up which only set punters back a mere £4.
Review featured with permission from www.whisperinandhollerin.com Upon walking through the front doors, the first thing you notice tonight is just how young looking 90% of the 300 strong crowd is inside the aircraft hanger like Cockpit.
10,000 Things @ Brudenell Social Club
Time for the three kings to return to their kingdom, time for a superb local act to grab some of the glory and have some for themselves.
It's all just about to get a little bit Nasty. The great thing about dubbing yourself a 'festival of nu-wave' is that you pretty much have the leeway to put anything you want on the bill and slam the indiscriminate tag of 'nu-wave' atop and no-one will bat an eyelid.
As another long night bleeds into another bright, sunny day, bleary eyed tent dwellers emerge from their probably now a little bit on the stale side canvas abodes to see out the last day of the festival.