strange sounds
We found the term strange sounds in 81 articles.
The Cribs: Another Number / Baby Don't Sweat
The A-side is "Another Number", a gloriously lackadaisical amble down lo-fi lane. This one just prods and teases and you think that any minute it will kick off, guitars a blazing, yet after a couple of minutes it just finishes.
Band Profile: Astonishing Sod Ape
electronica
Wire Happy: Short Cycles From A World Of Bumps And Swirls
'Short Cycles...' is a strange experience, which I must make that clear right now. As Kevin Mottram (aka Wire Happy) kindly points out it was originally intended to be a soundtrack to a game; and I can't decide if that admission was a good one or not pre-listening.
Quite an eventful Saturday evening in the end. Firstly, I chatted away to Aeon prior to the Juno-2 gig at Royal Park Cellars - the interview should appear on the site in the next week or so - and then I bumped into Bella.
As always I'm going to show my complete ineptitude at reviewing by saying I don't know how to review it.
Strange one this. You'll probably remember this song from a couple of years back when it was an enormous house classic around the world for an artist going by the name of Grace.
The Apparatus are a Welsh based indie-punk band - I use the word punk in the broadest possible sense of the word - this is more of an attempt at the commercial and tedious punk rock that we've heard a million times.
For someone raised on guitar music, the whole concept of electronic music doesn't always sit well with me.
The Pocket Gods seem to get everywhere at the minute and here is Mark Riley of said outfit, again cropping up co-writing and producing the strange sounds of Zaam.
Apparently trucker style baseball caps are now "cool". Well Grandaddy were wearing them long before the ponces and poseurs deemed them suitable to wear and continue to do so now they are, but for much different reasons I'm sure than the world's fashion victims.
Bloody hell. A band who site The Beach Boys as influences are hard to come by nowadays... Thankfully The Composers aren't one of those bands who say someone is an influence when in reality only have one song on mp3 which they kinda like.
I Am Kloot are a stripped-down, intelligent slice of Manc attitude. This, their third LP sees them taking their winning formula of angular balladry into more brooding and questioning territory.
Schadenfreude. I bet The Nearly Men do this a lot. To put it quite frankly, there's a hell of a lot of bands out there that are not fit to lick these talented bastards' shoes.
Charlotte Hatherley: I Want You To Know
Ash albums were always a right old mess - tracks were either totally poptastic gems or just plain shit.
One man and his acoustic guitar can be a great platform for tedious journalism - emo, troubadour and cult hero are usually the order of the day for any given Get Cape or Bright Eyes review.
Jenny Lewis with the Watson Twins: You Are What You Love
'You Are What You Love': a beautifully heart-rending account of a life in which the persona of the song is in a strange sorta love with the wrong sorta guy.
For as grandiose as their biog describes them, employing such everyday phrases as "dramatic melodic edge", "distinctive atmospheric sound" and those favourite biog-bites "inspiration" and "soaring", The Xenith Sound are a rock band.
Joan of Arc: In Rape Fantasy & Terror Sex We Trust
Joan of Arc's Tim Kinsella is one of those multiple-attached US artists who can sneak into the Leeds Fenton one May evening, en route from Paris to Dortmund via Glasgow and Manchester, and maybe 100 people know.
The New Shapes: There's No Escaping You
It's strange to think that Mersey beat was the sound of the youth in the early 60s when today it sounds so restrained and unthreatening.
IIIIIIIIIINNNNN ONE! The Scaramanga Six. I haven't seen this lot for a while, and I'm looking forward to it.
Tell me I'm not the right audience for Andy Shades and you're probably onto something, but I've seen him in concert and know he's a decent musician who works with others of the same ilk, some of whom are the US playing here.
I wasn't sure if it was because I'd just seen the picture that came in the CD sleeve that I thought this music sounded really sexy.
I'm sat at the Irish Centre, it's about 8.15pm, I'm lost. See, me being a complete tit I didn't think to check how to get to the Roscoe.
It's rare I listen to a CD and sense a lack of discernable musical talent but for some strange reason that's what struck me about "The First Drop".
Crash Cartel. Hmmm, now there's a name you can't help but think you've heard before but in which lifetime god only knows.
When Morrissey sang the immortal Smiths lyrics: "I should have been wild and I should have been free/but nature played this trick on me" he had in mind the kind of people that are in the groups I'm watching tonight.
Earl: What Are You Waiting For?
Now this one's a hard one, not often do I recieve or listen to dance tunes with a huge amount of interest, but as I put this CD on, I suddenly like dance music!!
What a great opening. The first 35 seconds of "All our so called bad luck stories" are fresh young and just fantastic.
The duo of Rodrigo Y Gabriela have wowed crowds at Glastonbury and Womad with their amazing guitar skills.
Agent Blue: A Stolen Honda Vision
It's been a strange few years for Potteries punkers Agent Blue since they first came bounding over the horizon some three years ago.
Shut Your Eyes And You'll Burst Into Flames @ Brudenell Social Club
Arriving on stage later that billed did nothing to quell These Monsters' instrumental blasts of squalling guitars with blasts of saxophone.
Son Of Dave @ Brudenell Social Club
Having attended the show on a recommendation from a friend who had seen his performance on Later... I was unsure what to expect from Son Of Dave having heard the eclectic descriptions.
Whiskas caught up with Jarcrew on their tour with Million Dead ...
Ahhhh, fuck. What the hell is that? After a few seconds of silence I was tempted to increase the volume on my speakers, little did I know that this was not a wise idea; the next thirty seconds were to be taken up with some chaotic, distorted and loud effects.
Yorkshire bands in the spotlight at MIDEM and SXSW
Huddersfield's award winning social enterprise Timeless Music Project has just returned from France where it has launched the breakthrough new music development initiative 'Independent Sounds Of Yorkshire And The Humber 2008'.
Squarepusher: Hello Everything
A purveyor of experimental music and a bass guitar fanatic, Squarepusher has become one of the world's most respected electronic artists releasing one acclaimed record after another on the mighty Warp Records.
Little Japanese Toy: Disused No 5
Well, first thing's first: Little Japanese Toy score a whopping 0/10 for presentation. The demo consists of a hastily scribbled on, almost unreadable CD-R.
With Leeds festival just around the corner it's that time again for the Futuresound competition. Tonight was the turn of The Black Helicopters, Ten Seconds Of Chaos and The Xenith Sound to win over the crowd and more importantly the judges with their interpretations of what passes for good music these days.
This sound is so big now; '80s and '90s electronics rediscovered and manipulated in a way truly worthy of the 21st century.
On first hearing that Jewel had recorded a Pop album it seemed a strange move. This down to earth, cowboy dating, sensitive poet ditching her acoustic guitar in favour of a beat box?
There's something instantly familiar about opening track 'Chloe'. It took me a while to figure out what it was and then it suddenly hit me.
Town. Okay. Everyone knows where town is right? That's a good place to start. Now, make your way up to Park Row.
Downfall - those long-serving purveyors of rock speak to Andy Roberts on the hiatus surrounding their latest release, perfectionism and The Music...
Jack Peat is a fairy. He used to be the drummer in Kram but as they were offered a record contract for one single he bottled out and wanted to focus on University.
The Sunshine Underground @ Faversham
Strange things are happening in the dance world. Warp records not only sign Geordie punk monkeys Maximo Park in a holyfuckthisisn'tthenewBoardsofCanada moment but they also release a white soul album.
Kerouac: I Hope Everything's Alright In Your World
Andy Aitchison and Dan Little are in ambitious territory with this CD. There are the basic shapes of three good songs.
Colin Mounsey: Where Did Everything Go So Badly Wrong?
Colin Mounsey has issues: "This man created evil, this man created pain" just two of the accusations labelled at Daniel O'Donnell's favourite bearded man on 'Fuck You Jesus'.
I must say I am a little late in reviewing Pop Threat and for that I apologise unreservedly to the delightful Juliet who cornered me after a Scaramangas gig at Ver Well one night last year.
Ash are a strange beast. After the success of their album '1977' back in 1997, they went all a bit mental and released 'Nu Clear Sounds', which was nothing but a disappointing mishmash of ideas, from blazing rock to nu-metal ish scratching and screaming, it was patchy at best.
Victoria Holdsworth caught up with The Yards' Chris Helme and his guitarist Chris Farrell for a chat to find out if they'd be playing in our yards any time soon.
Paranova @ The Old Cock (Halifax)
The Old Cock has recently been celebrating the renewal of is entertainment license, and a decent sized crowd had assembled in what is the town's temple of live music. The support slot was filled by a band new to my ears, a swampy rock outfit named The Roller 6ix.
The Machines Will Take Over @ The Railway (Featherstone)
First impressions of Featherstone's The Railway? Normal pub... ominous looking equipment lying around...
In truth I know nothing about the contemporary black music scene. I'm a stranger and lost with no bearings.
Tupamaros @ Royal Park Cellars
First - an apology to NONE OF THEM KNEW THEY WERE ROBOTS - as I trotted down the steps of The Cellars for this my first "Collective AKA" night, I heard the final chord of their set and saw the singer lie down on the stage.
The Packhorse is one strange venue. The gigs are held upstairs in the attic right out of the way and it almost feels as though it's a secret club only a few know about.
Leafeater @ Pennington's (Bradford)
Leafeater are on top form tonight, showcasing tunes from their eagerly awaited debut album which they are releasing in April on their own label GAK Records.
There are few bands in 2004 that can quite captivate the listener in a complete contrast of emotions like Aereogramme, we speak to singer/guitarist Craig B about the release of impending mini album "Seclusion", touring the world in a beat up transit van and... skeleton xylophones
Leeds lads Guns on the Roof, with an average age of 18, have supported Stiff Little Fingers and the UK Subs here before.
I love gigs like this. You go down to some random (admittedly, in the case of the Faversham, glorified) pub on the outskirts of the city to see a band or two that you've never heard of and to be brutally honest, probably never will again.
Bone Box: Death of a Prizefighter
Umm, this is brilliant. This kind of music not being played on Radio 1 is what is wrong with the world.
The last few years have hardly been a triumph for Embrace; set up as "the next Oasis" their debut album reached the number one spot and, while not selling 'shed loads' ('tent loads' anyone?), did seem to set them up nicely for future records.
Tonight really didn't start well. After I'd encountered the frankly bizarre system of a 'paying guestlist' (?) we are told that due to technical difficulties, original support act Printed Circuit had to pull out, so enter Hood keys man Gareth Spencer and his side project The Unpleasants.
It's difficult to see where Pendulum get their rock-dance crossover act credentials from, but as an accessible drum and bass act, Pendulum are the best.
The second night of the reborn It's Gone Ballistic, the weekly local band showcase taking place at the Rocket Venue on a Tuesday night saw a male-female split.
Hi fans. Last year (or in 2005, depending on when you read this) Supergrass made a bold and brilliant album called 'Road To Rouen'.
Various Artists: I Can Count Volume One
Mmm, electro, n' stuff like that. Good, innit? 'Specially if you're signed to I Can Count Music, a record label fresh from Bob-Monkhouse-himself's seal of approval.
Ahh, the rigour of That Fucking Tank's riff-ravaged post rock is quite a detachment from the banality of everyday life.
Daniel Powell talks to York's Elliot Minor as they begin their tour at Leeds' Cockpit venue.
Zombina and the Skeletones @ Bassment
I would like to start by saying that I wasn't going to do a review for this gig when I went, but in the Bassment they have these new drinks called 'Vodka Mudshakes'.
In a full transcription of the interview that appeared in the May 16 issue of the YEP, Andy Roberts talks to Noble - guitarist from eclectic Bowie-esque soon-to-be superstars British Sea Power about growing up in Leeds and more...
The Scaramanga Six: Cabin Fever
"Glad you all could join me, on another pointless journey". So begins the 2nd album proper of Wrath's finest premium export The Scaramanga Six.
Lightning Bolt @ Brudenell Social Club
The venue is slowly starting to fill when Like a kind of Matador take to the stage. A trio comprising of a guitarist, a drummer and a flutist who then proceed to produce some mighty fine concept rock.
Johnny Foreigner: Waited Up 'Til It Was Light
Johnny Foreigner are a strange band in that they have consistently got great reviews including a 10/10 for their debut EP 'Arcs Across The City' on Drowned For Sound and an 8/10 for this their debut album from NME, yet they still remain an unknown quantity outside of their hardcore followers and have received little hype compared to what a lot of other new bands have.
Sam Saunders spoke to Chris Helme of the Yards in January 2004...
Andy Roberts heads round to The Somatics' house for a cuppa and a chinwag about their debut platter, local themes canal spotting and how prog will be cool once they release their new album...
Before I start I'd just like to say that I've eaten the nicest tea I've had in ages tonight. It was a stir-fry.
The Summerfield @ Joseph's Well
The room downstairs at Joseph's Well had been taken over by tables and chairs and subtle candlelight.
John McGee gets all giddy and silly and drunk and strange things happen while watching bands. Forgive me if I come on like a drunken raconteur but that's where the story begins, like all good stories should, in the pub, over a formerly nursed pint of cider now in smithereens on a tiled floor.
"Being a promoter is terrifying" - Leeds guitar virtuoso Jon Gomm takes on the promoter-role as he brings his 'Leeds Guitar Night' concept to the Brudenell Social Club on July 6th.
"Don't call me PJ" - Gemma Hinchliffe caught up with Carina Round at Joseph's Well...
Truvine @ Tut'n'Shive (Wakefield)
So this is the location for Wakefield's newest acoustic night (featuring two non-acoustic bands tonight, just for the hell of it).