vocal arrangements
We found the term vocal arrangements in 40 articles.
Band Profile: Katriona Gilmore and Jamie Roberts
Katriona Gilmore and Jamie Roberts are an exciting upcoming acoustic act, blending contemporary singer-songwriter styles with complex rhythmic arrangements to create a new kind of roots fusion.
Hot Club De Paris: Drop It Till It Pops
I was looking forward to hearing this album having heard Everyeveryeverything and missing them supporting Maximo Park because of an inability to read my watch.
This sounds a bit like acoustic-folk versions of stadium rock songs. Fat choruses sit amongst some delicate arrangements of piano and guitar.
Martin Grech: March of the Lonely
'March Of The Lonely' is Martin Grech's third record, released on his own aptly titled label 'Martin Grech Songs' and recorded on Osea Island (a small island on the Thames just fifty miles from London).
These guys are from New York and it's safe to say they are cool cats. Lump 'em in the same bracket as The Faint if you must - essentially, "electroclash rock band".
Annika Line Trost might be best recognised for her exploits with electro pop outfit Cobra Killer, but the Berlin based artist's self-produced 2nd solo album Trust Me certainly deserves some acknowledgment.
Nerina Pallot: Learning to Breathe
The third single from Pallot's quietly yet warmly received Fires reiterates the songstress' essential life-affirming message as conveyed through her lyrics of self-doubt and perseverance coupled with the magical musical arrangements.
Ric Neale: Different Than Before
What a talented bunch of folk Leeds has got in its midst and here's another one. Ric Neale is from the singer songwriter class and on the evidence of this CD he could well be top of it.
Jenny Lewis with the Watson Twins: You Are What You Love
'You Are What You Love': a beautifully heart-rending account of a life in which the persona of the song is in a strange sorta love with the wrong sorta guy.
Joan As Police Woman: To Survive
Superbly serene yet gregariously graceful, the second album from Joan Wasser and Co. is a magnificent exercise in chamber-pop intricacy.
Benjamin Wetherill: The Derby Ram
It would be quite easy to throw Benjamin Wetherill's name in the "freak folk" category often attached to the likes of Devendra Banhart, Joanna Newsom, Vashti Bunyan and Iron & Wine, but with Benjamin you always seem to get something refreshingly different.
A hectic lifestyle means that it has taken me a good week or two to actually get round to playing this CD.
Having spent his time as a youth listening to the likes of Metallica and Pantera, you might find yourself shocked on hearing Kris Drever's debut album for the first time.
More often than not, folk records come with a seasonal mood in mind, though in the case of Paul Marshall and his debut album 'Vultures' we have a record which seems to encapsulate all four seasons - equally as fitting for a frosty February morning as it is for a sun-drenched afternoon in July.
Shearwater's 4th album "Palo Santo" sees existing band member Jonathan Meiburg rise from the shadow of Okkervil River's Will Sheff and take full command of the songwriting and vocal duties with positive results.
Tom Napper & Tom Bliss: The Kelping
Not long before the Grove Inn launch of this second Napper and Bliss album, I was startled to hear of someone who didn't care too much for Tom Bliss's voice.
Tim Fletcher: Winter Into Spring
The seasonally-titled Winter Into Spring is Tim Fletcher's first professionally recorded CD. The unsigned singer-songwriter originates from West Yorkshire (though currently located in Sheffield), and cites impressive influences such as; Nick Drake, Neil Young, Bright Eyes and Devendra Banhart.
All My Friends Are Dead: Days Of Sleep
Falling somewhere between the orchestrated Icelandic experimental pop sound of Sigur Ros and the dynamics of the post-rock genre sits the Leeds based 5-piece All My Friends Are Dead.
The Research look like three students who have just put down their pot noodles and picked up the nearest instrument. This isn't necessarily a disadvantage. They are relaxed performers, casually introducing each song and smiling knowingly at each other when Sarah supplies another dodgy fill. It feels like they might call the whole thing off half way through a song. Thankfully they don't.
LaRusso: My Indecision Is Final
Self recorded and self produced eh? Usually sounds like a recipe for disaster amongst local bands. Well, not this time, I suggest everyone ships out to Casa La Russo and asks them to work their magic on their own records.
An exciting mix of European promise. There should be more of this available in the shops. Creating polyrhythmic grooves, to fantastic effect every up and coming musician should study the scrupulousness in this tribal chant.
I have never quite understood why I like Imogen Heap: her unconventional vocals on such tunes as this; plus some slick beats laid down over a mixed backing track of violins and bass lines.
There are 3 things in this life guaranteed to make skinny white boys dance like a Jim Henderson inspired character.
The Flaming Lips: At War With the Mystics
The Flaming Lips have achieved with their last 2 albums what evades 99.9% of all other 'successful' acts - whatever your criteria for classing that is.
The Wooden Spoons: Tales of the Professional EP
The Wooden Spoons are made up of identical twins with an ear (or four) for lush melodies and the gift of good storytelling.
Tindersticks: Waiting For The Moon
Tindersticks are one of the UK's most talented, and rather unfortunately, overlooked bands of the past 10 years or so, and 'Waiting For The Moon', their latest LP, should go a long way to help give the band the attention they deserve.
Fell City Girl boast drama. And I mean drama. The kind of textured melodies reminiscent of some obscure New Zealand pop exercise by the name of The Veils.
Herdwhite: Lost In The Big City
I'm bombarded with a soundscape of guitars, synths, samples, beats, male/female vocals and industrious effects.
Polly Paulusma: Scissors in my Pocket
Newspapers and magazines have a habit of either creating new genres, or just blowing them out of all proportion.
Duncan McFarlane Band: Woodshed Boys
After having had the pleasure of catching this band live several times I had very high expectations of this album.
Unexploded Shells: Made In The Same City As You
It's been a lean time for music lately. I've been impressed by stuff, but hardly bowled over at the same time.
OK, here's a strange one - a CD that comes with a disclaimer! Apparently it's "by no means EP quality and the songs aren't the finished article", but having enjoyed the USA live onslaught, I was keen for a listen all the same.
Those of us braving the wind and rain on Sunday night were treated to a quality evening of unplugged entertainment as the Well played host to another Naked Bar Guitar evening.
Interview: All My Friends Are Dead
Gavin Miller speaks with Leeds' newest post-rock prodigies All My Friends Are Dead
Ali Whitton and the Broke Record Players: A Failed Attempt At Something Worth Saying
What have we got here then? Thoughtful acoustic pop, I'd say, and done to a pretty fair standard - from Whitton's lyrics sung in his quite striking voice with its often pleading tone, through to arrangements well handled by the Broke Record Players.
Charlotte Hatherley: I Want You To Know
Ash albums were always a right old mess - tracks were either totally poptastic gems or just plain shit.
four day Hombre @ Joseph's Well
I was looking forward to this gig as I knew pretty much nothing about goad and Leafeater and hadn't seen four day Hombre for almost 10 months.
Uiscedwr @ Commercial (Cleckheaton)
There aren't many indications Cleckheaton is the place to be. Five minutes from Leeds on the westbound M62, the town sits unsignposted beside junction 26, where the distant Bronte zone and none-too-close Salt's Mill are announced.
Various Artists: This Is The New (art/goes/pop sampler)
I love art/goes/pop: they found me when they went looking and proceed to send me top quality compact discs like this little gem which compiles some of their glorious little upstarts onto one disc.
With the joyless chore of the Christmas shopping rush just a fortnight away, prepare yourself for the inevitable inaccuracies of every glossy music publication's conveniently-timed 'Best of 2005' lists, (it being an historical fact that record companies only release Greatest Hits packages in December).